The first season of Why Women Kill follows three women from different decades who are connected through having all lived in the same Pasadena mansion and experiencing infidelity in their marriages. Beth Ann Stanton remains content as a housewife in 1963 until she learns of her husband Rob’s unfaithfulness; socialite Simone Grove discovers her third husband Karl’s homosexuality and begins her own affair with a younger man in 1984.
The Supporter and The Helper
ESFJ — 268 – 126 – 127 – 269 – 279 – 369
ISFJ — 269 – 259 – 126 – 469
The Helper Supporter
ESFJ Tritype® 261
ESFJ: Extraverted Feeling Supported by Sensing
ESFJs tend to be matter-of-fact and practical, conventional, copiously and factually conversational, and interested in possessions, beautiful homes, and all the tangible adornments of living. ESFJs are primarily concerned with the details of direct experience- their own, that of their friends and acquaintances, even the experience of strangers whose lives happen to touch theirs.
Myers et al., 2002
She demonstrated enjoying being the power behind the throne by the necessary actions she undertook against her husband.
Tritype® 126, 162, 216, 261, 612, 621-The Supporter
If you are a 126, you are diligent, caring, and inquisitive. You want to be ethical, helpful, and supportive. Highly responsible and cooperative, you are most comfortable when you do things ‘by the book’ and know what to expect. Focused on the needs and concerns of others, you seek ways to be of service. You enjoy being the power behind the throne. You also need to be seen as the one that makes the extra effort to do what is called for in any given situation.
Katherine Chernick Fauvre
She is definitely not an Enneagram Tritype 269 since ESFJ and ISFJ 269 tends to hate conflict. Furthermore they may also struggle with being too indirect and as shown in the above video she obviously does not.
Tritype® 269, 296, 629, 692, 926, 962-The Good Samaritan
[..] You are known for your easygoing and friendly disposition. You hate conflict and may struggle with being too indirect. [..] Katherine Chernick Fauvre
